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īurton also commented at length on the creation of The Grey Album in the 2007 Danish documentary Good Copy Bad Copy: A documentary about the current state of copyright and culture. You can do different things, it doesn't have to be just what some people call stealing.
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I stuck to those two because I thought it would be more challenging and more fun and more of a statement to what you could do with sample alone. Once I got into it, I didn't think about anything but finishing it. I was obsessed with the whole project, that's all I was trying to do, see if I could do this. Ī lot of people just assume I took some Beatles and, you know, threw some Jay-Z on top of it or mixed it up or looped it around, but it's really a deconstruction. 10 in The Village Voice's annual Pazz and Jop critics poll. The Grey Album was named the best album of 2004 by Entertainment Weekly and ranked No. A buzz around the album resulted in wider Internet distribution and media attention garnering a glowing review in the Februissue of The New Yorker. While Danger Mouse never asked permission to use the Beatles' material, Jay-Z's a cappella recordings, though copyrighted, were released commercially for the purpose of encouraging mashups and remixes. Danger Mouse created The Grey Album as an experimental project intended for a limited 3,000-copy release in February 2004.